Nadja Frank chose a marble quarry in Carrara as the starting point for her new works in order to develop a three-dimensional painting on site that has not yet reached its end point upon completion, as it is exposed to natural elements and will continue to change and be open to further exploration.
In RAVANETI (ital. term used in marble quarrying to refer to the remains left behind), works that engage with materials from Carrara and with the space will be displayed in Berlin on an ongoing basis. In the process, the boundaries between painting, sculpture and environment are explored and the gallery included using objects and photographs.
Nadja Frank (*1980) studied painting with Norbert Schwontkowski at the Hochschule für bildende Künste Hamburg until 2008 and is currently completing an MFA at Columbia University, New York.
In RAVANETI (ital. term used in marble quarrying to refer to the remains left behind), works that engage with materials from Carrara and with the space will be displayed in Berlin on an ongoing basis. In the process, the boundaries between painting, sculpture and environment are explored and the gallery included using objects and photographs.
Nadja Frank (*1980) studied painting with Norbert Schwontkowski at the Hochschule für bildende Künste Hamburg until 2008 and is currently completing an MFA at Columbia University, New York.
Nadja Frank chose a marble quarry in Carrara as the starting point for her new works in order to develop a three-dimensional painting on site that has not yet reached its end point upon completion, as it is exposed to natural elements and will continue to change and be open to further exploration.
In RAVANETI (ital. term used in marble quarrying to refer to the remains left behind), works that engage with materials from Carrara and with the space will be displayed in Berlin on an ongoing basis. In the process, the boundaries between painting, sculpture and environment are explored and the gallery included using objects and photographs.
Nadja Frank (*1980) studied painting with Norbert Schwontkowski at the Hochschule für bildende Künste Hamburg until 2008 and is currently completing an MFA at Columbia University, New York.
In RAVANETI (ital. term used in marble quarrying to refer to the remains left behind), works that engage with materials from Carrara and with the space will be displayed in Berlin on an ongoing basis. In the process, the boundaries between painting, sculpture and environment are explored and the gallery included using objects and photographs.
Nadja Frank (*1980) studied painting with Norbert Schwontkowski at the Hochschule für bildende Künste Hamburg until 2008 and is currently completing an MFA at Columbia University, New York.